PDF Ebook Mastering Drawing the Human Figure From Life, Memory, Imagination: with Special Section on Drapery, by Jack Faragasso
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Mastering Drawing the Human Figure From Life, Memory, Imagination: with Special Section on Drapery, by Jack Faragasso
PDF Ebook Mastering Drawing the Human Figure From Life, Memory, Imagination: with Special Section on Drapery, by Jack Faragasso
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Review
"... is very special ... what a gift it is to the tradition, the history and the future of drawing ..." -- Sherry Camby, Instructor Art Students League of NY"What an inspiring book. The chapters on the planes and forms of the head, action, and drapery are truly amazing!" -- Professor A. Boime, Department of Art History, University of California, Los Angeles
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About the Author
Jack Faragasso is a native New Yorker. He is known nationally and internationally as an art instructor, fine artist, illustrator and author. He has been teaching students of all ages to draw and paint in the time-honored realistic manner at the Art Students League of New York since 1968. He has also taught at the Woodstock School of Art and the Scottsdale Artists School in Arizona. An instructor of the Frank. J. Reilly School of Art, he became its director in 1967. Frank J. Reilly was and still is regarded by many as one of the finest teachers of drawing and painting in the country. Fargasso, who studied with and worked under Reilly for many years, is the foremost authority of the Reilly system of drawing and painting.
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Product details
Paperback: 256 pages
Publisher: Stargarden Press; 1st edition (January 1, 2004)
Language: English
ISBN-10: 0966711300
ISBN-13: 978-0966711301
Product Dimensions:
8.5 x 0.5 x 11 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
20 customer reviews
Amazon Best Sellers Rank:
#53,935 in Books (See Top 100 in Books)
This is a very good book with a different approach than one would find in more traditional drawing books. His method is very schematic and very structured, yet compelling once one starts to understand his reasoning. There is nothing lose and conceptual about his method, everything is done according to predefined rules, planes and relationships, which is what makes it a very powerful way to present the human figure, but only once one is willing to undertake this method and make it their own.This is not a book for beginners, this is not a book for anyone starting out without a great deal of surface and bone anatomy knowledge, this is not a book for anyone starting out in drawing.There are minor flaws in the book, some figures have very protruding hips and not much time is spent on dynamic poses, but that wasn't his intention.If one merely copied the figures in this book, or simply copied his method, one wouldn't get far, it's meant as a guideline.It's one of my favorite drawing books.
As promised, delivered on time. No bent pages or markings. Very satisfied.
a book for serious students of figure/portrait. highly technical systems of analysis and construction that work.
I'm interested in drawing human beings and this particular book was recommended by my art teacher and it is a excellent resource
get this book! add it to ur collection it has loads of info and pictures..the book helps when a lot drawing imagination
I have read many books on drawing the figure. This is the first book I have come across that contains the precise knowledge required to draw the human figure. The chapters on the head and drapery alone are worth the price of the book. In order to understand the book one has to read the introduction where the author recommends the course of study. It takes a while to grasp certain concepts but the information is all there for the taking if one has the patience to persevere.
Let me say first that I am highly predjudiced in favor of this book.Also, learning to draw is DIFFICULT for most of us!! I had the good fortune to study with Mr. Faragasso about 20 years ago at the Art Students League. My father studied with Frank Reilly and Mr. Faragasso was one of his classmates. After so many years as a professional painter I can say that the knowledge that he gave to me has served me well. I am so grateful that all of this information has been assemled in one book for all to benefit from.It is also woderful that the information has been preserved (none of us are getting any younger!). The planes are clearly explained. They relate to the structures which underlie them, therefore they can be a bit challenging. However, that IS our anatomy and it is what we have to learn in order to move forward and learn to really SEE and UNDERSTAND what we are seeing. This book will be a classic.
A must have for any artist.
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